(Two alternative covers - Barry White & D'Angelo or Gil Scott Heron & Erykah Badu)
Featured Articles:
* Barry White’s unlimited passion took him to the heights of music
* Gil Scott-Heron is still the first name on the rhyme scene
* D’Angelo’s organic sweet soul shook up modern R&B
Also Includes:
* Erykah Badu
* Melvin Bliss
* Ernie Hines
* The Wah-wah Pedal
* Bilal
* Spree Wilson
* The Bamboos
* Kings Go Forth
* Record Rundown: Five fine artists let the vinyl speak
* Analog Out: How Guitar Amps and Pedals Became Virtual
* Tito Ramos, Curtis Mayfield, Joi, Jeff Redd, and D.J. Rogers Re:Discovered
Invincible + Waajeed: Manufacturing "Detroit Summer" 7" @ Archer Record Pressing from EMERGENCE Media on Vimeo.
Darren Cunningham’s eagerly-awaited new album is an adventurous, ultra-modern, thoroughly British affair, rummaging about in the inner lives of house and techno, and brilliantly elaborating the accomplishments of his debut, Hazyville. For Splazsh the fog has lifted, the sounds are less submerged than before, but still sticky and close — a signature combination of exuberance and introversion, luminescence and puzzlement.  Unconstrained by the formal cliches of the dance music he loves, Actress’ melodies and arrangements are enthralled by their own genies. Worlds of disturbance and melancholy revolve giddyingly inside the insidious funk of tracks like Get Ohn and Lost. A range of musical influences is redrawn, from speed garage (Always Human) to grime (Wrong Potion), with none crowned king. There is a reflectiveness — the ambient drift of Futureproofing, the radiophonic judder of Supreme Cunnilingus — in amongst the industrial, synth-wave flavours of Casanova, and the stirring, stately Maze.  In love with the mysteries of groove and repetition, Splazsh is both a culmination and a new beginning for Actress, a substantial and eccentric work from a brave and coolly individual artist.
This 12" is due for release in August, to reserve a copy please contact us at info@conch.co.nz
Jesse Hackett's (Elmore Judd / Gorillaz) new project. Gloriously Hypnotic Kenyan grooves - a true culture clash between the Luo and London. Championed by Gilles Peterson they are a new signing to Brownswood, with an album due early 2011.
In 2009, a handful of London-based musicians travelled to Nairobi in Kenya to collaborate with two local musicians: Joseph Nyamungo and Charles Okoko, who hail from a village up country called Owiny Sigoma. The workshop/rehearsals were a lot of fun and pretty fruitful so they set about finding a studio that could accomodate a 7-piece live band. The resulting four tracks made their way to Gilles Peterson who promptly signed the band to his Brownswood imprint and sent the boys back to Nairobi for another week-long recording session with Joseph, Charles and their extended musical family.
The traditional folkloric music of Kenya has not received the same global exposure as that of Nigeria, Ethiopia, South Africa or North Africa for example and one of the objectives of this project was to try and build on this. The band draw on a broad spectrum of African influences, from Fela Kuti and Tony Allen to the likes of Thomas Mapfumo and Oumou Sangare, but bar Jesse’s participation with Damon Albarn’s Africa Express, this was the first opportunity for Jesse Hackett (keys), Louis Hackett (bass), Sam Lewis (guitar), Chris Morphitis (bouzouki/guitar) and Tom Skinner (drums) to visit specifically for a musical project.
The results are documented on the band’s forthcoming album – a collection of gloriously hypnotic Afro grooves symbolic of the true culture clash between the Luo and London. A 12″ featuring two tracks from the original session in Nairobi – ‘Doyoi Nyajo Nam’ b/w ‘Jalako Onyoono Paka’
Following the success of the Midnight Express single 'Danger Zone', Robbie M and Terry Patton continued to search for new sounds. Over the next few years the duo would produce dozens of instrumental sketches. Terry always recorded these backing arrangements to cassette tapes so they could easily listen to them later in the car. Cruising the streets of Rock Island IL, vocalist Robbie M would write the additional melodies and lyrics. The plan was to release a full length studio album, combining all parts and adding vocals, but the group dispersed in 1985 before their dream was realized. The Terry tapes, which were never intended for commercial release, are all that remain. When we first heard them, they were inaudible with almost no tones left to preserve, but thanks to a few small miracles and genuine science the shroud of noise has been lifted to reveal an unexplainable haze of funk.
Comments
0 Comments