Mayer Hawthorne grew up just outside of Detroit, and vividly remembers, as a child, driving with his father and tuning the car radio in to the rich soul and jazz history the region provided. â€œMost of the best music ever made came out of Detroit,â€ claims the singer, producer, and multi-instrumentalist, who counts Isaac Hayes, Leroy Hutson, Mike Terry, legendary songwriting and production trio of Dozier, Holland, and Holland Jr. The â€œretroâ€ tag is added to almost any contemporary work that sounds like it was originally recorded between 1966 and 1974, and Hawthorne, among the newest contributors to the genre, is aware of how trends come and go. After being introduced to Stones Throw label head Peanut Butter Wolf, even the label boss was skeptical. â€œHe showed me two songs and I didnâ€™t understand what I was listening to,â€ Wolf recalls.Â â€œI asked him if they were old songs that he did re-edits of â€“ I couldnâ€™t believe they were new songs and that he played all the instruments.â€
And after meeting in person, it was even harder for Wolf to believe that Hawthorne was also the lead vocalist. Few expect such heartfelt sentiment to come from a 29-year-old white kid from Ann Arbor, but he has caught the ear of his family at Stones Throw, as well as BBC Radio 1 host Gilles Peterson and producer/DJ Mark Ronson. Expectations are high for the admitted vinyl junkie who never planned on taking his crooning public. Hawthorneâ€™s hanging-by-a-string falsetto and breakbeat production on his first recorded effort, the tender â€œJust Ainâ€™t Gonna Work Out,â€ are simultaneously Smokey and J Dilla â€“ equal parts â€œThe Tracks of My Tearsâ€ and â€œFall in Love.â€ â€œItâ€™s soul,â€ he explains, â€œBut itâ€™s new.â€
Hawthorne has produced and played instruments for much of his life, but never intended to become a singer. He isnâ€™t formally trained, and never sang in the church choir or in any of the bands he was in before founding the County (formerly the County Commissioners). But here he is, new school soul sensation, who has taken the Motown assembly-line production model and eliminated nearly every element but himself and a few hired hands. â€œI think Mayer is the only artist in the history of the label that Iâ€™ve signed after hearing only two songs,â€ says Peanut Butter Wolf. â€œSometimes, you just know itâ€™s the right thing to do.â€And for those willing to believe anything is possible, be grateful to have Mayer Hawthorne on the scene. Itâ€™s not just throwback music anymore â€“ this revival is all about progression.
Available onÂ CD / 2LP with 4inch Single