Conch Records
Lady - Lady LP/CD (TRUTH & SOUL)
Available Here on CD, Here on LP
All you have to do is listen to Lady once, and you'll remember - in case you forgot-why they call it soul music. The honesty, the aching sweetness, the raw power of these singers and their songs will remind you that nothing can move you as much, or touch you as deeply, as two women with amazing voices singing in tight harmony.
Lady is the new collaborative project by Terri Walker and Nicole Wray. This unexpected transatlantic pairing was born out of a shared love of soul music and the resulting album - also entitled Lady - is a modern day interpretation of the classic sounds pioneered by labels such as Stax, Atlantic, and Motown. Lady unites the mellowness and pop flair of 60s soul with the driving beat of hip-hop, and the silky rhythms of modern R&B. These two powerful voices harmonize to create a fresh sound that tells the stories of growing up and never giving up, of love and friendship, of yearning and losing, bad girls and good hearts.
The lead single Money offers an overdue female perspective on the gold digger dynamic and has been accumulating plays and plaudits since emerging online. Other highlights include the selfassured strut of Get Ready, the dramatic, piano-driven Karma, Walker and Wray's tender tribute to their mothers in Sweet Lady and the heart-racing raunch of Good Lovin'. Lady's vocals switch smoothly from solos to seamless harmonies and are underpinned throughout by Leon Michels and Jeff Silverman's luscious production.
Better know as Truth & Soul, Michels & Silverman write, produce and run a Brooklyn-based studio and label with a growing reputation. The multi-talented duo's credits include writing for Adele, production for Lee Fields & The Expressions and both writing and production on Aloe Blacc's Good Things album and its worldwide hit single, I Need A Dollar. Lady is an authentic original, drawing from the past to infuse the present with new power. Prepare to take your hat off to Lady. Get ready to fall in love. There has never been, there will never be, anything else like it.
Track List & Soundclips:
01 | Tell The Truth | clip | ||||
02 | Money | clip | ||||
03 | Hold On | clip | ||||
04 | Get Ready | clip | ||||
05 | Karma | clip | ||||
06 | Sweet Lady | clip | ||||
07 | Please Don't Do It Again | clip | ||||
08 | Good Lovin | clip | ||||
09 | Habit | clip | ||||
10 | If You Wanna Be My Man | clip | ||||
11 | Waiting On You | clip |
The Sign Of Four - Hammer, Anvil, Stirrup (JAZZMAN)
Available Here on CD, Here on 2x10"
A labyrinthine jungle of audiophonic spectral transience that occludes the conventional digital sonic floating world through volatile phonosynthetic oscillations that reverberate between the conscious positronic drift of synaptic neurophysical pulsations and the free dimension of a tripnographic double space throb.
A whole album's worth, spread across 2x10" LPs in hand-printed sleeves or digipack CD. Welcome to the hylomorphic world of the Sign of Four. Tracklisting & Soundclips:UPCOMING: Various - Brazuca! (1966-1978) (KINDRED SPIRITS)
Due out May 2013 on CD & LP, to pre-order please contact us at info@conch.co.nz
DJ Paulao (Sao Paulo) compiles this great document on samba rock from the golden years of Brasilian music (1966-1978). More info soon! Track List & Soundclips:Lapalux - Nostalchic (BRAINFEEDER)
Available Here on CD, Here on 2LP
Tracklist & Soundclips:
01 | IAMSYS (Tape Intro) | clip | ||||
02 | Guuurl | clip | ||||
03 | Kelly Brook | clip | ||||
04 | One Thing (ft. Jenna Andrews) | clip | ||||
05 | Flower | clip | ||||
06 | Swallowing Smoke | clip | ||||
07 | Without You (ft. Kerry Leatham) | clip | ||||
08 | Straight Over My Head | clip | ||||
09 | Dance (ft. Astrid Williamson) | clip | ||||
10 | The Dead Sea | clip | ||||
11 | Walking Words | clip | ||||
12 | O E A (ft. Kerry Leatham) (Tape Outro) | clip |
In a world in which upstart DiY talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. Lapalux - AKA 25-year-old Stuart Howard - is certainly one such. As singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. 'Nostalchic' is his debut album, mission statement, and the climax of many years of studying his craft. The amalgam of words that make the title is aptly, and perhaps knowingly chosen. The album evokes nostalgia without ever sounding nostalgic, and Howard may have had his tongue in his chic when he added the second half of the title. The album is his most focused document to date, adding his beloved R&B and soul into elements of house and hip hop, all with the trademark Lapalux finish, infectious, lopsided swing and achingly deep texture. Lapalux was raised in rural Essex, midway between countryside and town, the classic, isolated hinterland that's produced many a distinctive British voice. There's a yearning sense to the record that it's tempting to relate to the young Howard's dreams about what his eventual escape into larger life might be. He certainly had a dream start when a shot-in-the-dark email to electronic hothouse Brainfeeder was immediately answered by label head Flying Lotus himself, who quickly moved on to sign him. To this day, Lapalux remains the only British artist on the Los Angeles based label. Having made fans out of Diplo and SBTRKT, remixed everyone from Lianne La Havas via Crystal Fighters to Bonobo, Tawiah, AlunaGeorge and Speech Debelle, as well as supporting FlyLo and playing the main stage at Sonar and in Japan with Clark, it's prime time for Lapalux's debut full length. Happily, it was well worth the wait. As declared by opener 'Tape Intro,' Lapalux is a keen experimenter with tape, looping and layering sounds via the warm-feeling format provides textures that are haunting, beautiful, fragile, and somehow familiar and alien all at once. These experiments are both purposeful and successful, and their result is dizzyingly good. Add to this his gift for treating a vocal, and the effect is profound. If many producers use the electronic staples – glitches, fragments and unfamiliar swing – few know how to use them with such intent as Lapalux. Howard adopts these devices only to enhance the emotional force of his music, never simply for their own sake. On single 'Without You,' (which features the brilliant Kerry Leatham,) the rainy-day, heartbreaking blues is made all the more powerful by the slowed-and-sped vocal. Sung straight, it wouldn't have had the sense of shattered, conflicting emotion that it does. This is electronic music at its finest: affecting and haunting in a way no other 'genre' can be. ‘Straight Over my Head’ illustrates Howard’s ability to write a brilliant song. From its tentative, melancholic start, a bassline opens up like a sudden, breathtaking vista, the song abruptly driving forward and taking the listener helplessly with it. On 'The Dead Sea,' a squall of jazz trumpets plays over urgent percussion, swirling bass and vocal-like textures to heady effect. ‘Nostalchic’ not only has all the hallmarks of a great album – a sense of cohesive purpose, its own themes, arcs and internal logic – it’s an album that could only have been made in electronic music. Howard understands the power and capabilities that are offered by his form, and he’s used them to the full.
Comments
0 Comments