Tracklisting: 1. Big BW
2. Shiverman
3. Boondigga
4. The Raft
5. Pull The Catch
6. The Camel
7. The Nod
8. Wild Wind
9. Breakthrough Check the video for Boondigga here:
Forging ahead with the Bubblers series, Brownswood Recordings are proud to present another awe-inspiring assortment of delightfully obscure ditties and underground heaters that have been clogging Gilles' record bag and radio playlists of late. Kicking off with the honey-coated Motor City soul vibes purveyed by Mayer Hawthorne on 'Maybe So Maybe No' and weaving a path through to Lone's lush, widescreen beatscape 'Sea Spray'. This is Gilles Peterson in his element - flitting between Oumou Sangaré's soaring African melodies, Maryland beatmaker yU's coarsely chopped hip hop soul, El Michels Affair reworking classic ODB material for the jazz headz, New Look's spine-tingling electro pop, and the rich sub low cinematics of Floating Points.
Get it here
Tracklisting: 1. Mayer Hawthorne – Maybe So Maybe No 2. Souleance – Mañana 3. yU – Fine 4. El Michels Affair – Shimmy Shimmy Ya 5. Lisa Papineau – Rene Thomas 6. The Misled Children & Odean Pope – Dadadun 7. Kafka – The Kafka Anthem 8. Oumou Sangaré – Iyo Djeli 9. Jam Da Silva – Dia Santo 10. Keaver & Brause – Awake 11. Sound Species – Can We Call It Love (with Ahu) 12. New Look – Everything 13. Floating Points – Peroration V Ft. Fatima 14. Lone – Sea SprayCheck out the Brownswood Bubllers Mixtape here for a taster.
Other Brownswood Releases:
Released: Sep 28th, 2009
Tracklisting: CD One 1. Roy Ayers – Coffy (Coffy) 2. Gene Page – Blacula (Blacula) 3. Johnny Pate - Shaft in Africa (Addis) (Shaft in Africa) 4. Willie Hutch - Brothers Gonna Work It Out (The Mack) 5. Don Costa - Soul of Nigger Charley (Soul of Nigger Charley) 6. Marvin Gaye - T Plays it Cool (Troubleman) 7. Bobby Womack - Across 110th Street (Across 110th Street) 8. J.J. Johnson – Willie’s Chase (Willie Dynamite) 9. James Brown - Down and Out In New York City (Black Caeser) 10. Quincy Jones – They Call Me Mister Tibbs (They Call Me Mister Tibbs) 11. JJ Johnson - Keep on Movin On (Willie Dynamite) 12. Dennis Coffy - Black Belt Jones (Black belt Jones) 13. Curtis Mayfield - Freddie's Dead (Super Fly) 14. Blackbyrd's - Wilford's Gone (Cornbread, Earl and Me) 15. Willie Hutch - Foxy Brown (Foxy Brown) 16. Isaac Hayes - Run Fay Run (Three Tough Guys) CD2 1. Isaac Hayes – Shaft (Shaft) 2. Joe Simon - Theme from Cleopatra Jones (Cleopatra Jones) 3. Roy Ayers – Aragon (Coffy) 4. Gordon Staples - All Strung Out (Mean Johnny Burrows) 5. Brer Soul & Earth, Wind and Fire - Sweetback's Theme (Sweet Sweetback) 6. Johnny Pate - Truck Stop (Shaft In Africa) 7. James Brown - Make It Good to Yourself (Black Caeser) 8. Isaac Hayes - Pursuit of the Pimpmobile (Shaft in Africa) 9. Edwin Starr – Easin’ In (Hell Up In Harlem) 10. Don Julian - Lay it On Your Head (Savage) 11. Gene Page - The Bus (Cool Breeze) 12. Grant Green - Travelling to get Doc (The Final Comedown) 13. Impressions - Make A Resolution (Three The Hard Way) 14. Nat Dove and the Devils - Zombie March (Petey Wheatstraw) 15. Booker T and MG's - Time Is Tight (Uptight!)
‘Can You Dig It?’ charts the rise and fall of ‘Black Action Films’ from 1970-75. As well as featuring a double-CD collection of the stunning music from these films, ‘Can You Dig It?’ comes with a 100-page booklet, mini-film poster cards and stickers.
The Black Action Films of the early 1970s gave Hollywood its first African-American cinema – actors, directors, cameramen, editors and writers. These films discussed aspects of the African-American experience in the form of entertainment. Storylines interwove post-civil rights revolution with action stories, many involving pimps, prostitutes, drug dealers or private detectives.
The films also featured the finest funk and soul black music of the time as stars such as James Brown, Curtis Mayfield, Willie Hutch and Roy Ayers produced some of their finest work, with film budgets allowing for the addition of huge orchestral arrangements by jazz legends such as Quincy Jones, Johnny Pate and JJ Johnson.
In the early 1970s, Black Action Films exploded into the cinema with three extremely successful films – ‘Shaft’, ‘Super Fly’ and ‘Sweet Sweetback’s Badasssss Song’. The most profound statement of these films was their actual existence – black actors and black directors entering the previously closed Hollywood film industry.
Black Action Films were a representation of politically everything that had gone before and stylistically of everything that was current. Civil rights, Malcolm X, Martin Luther King, Black Power, Black Panthers, Vietnam sit alongside the criminal worlds of policemen, private investigators, bail bondsmen and the criminals, drug dealers, pimps and hustlers that they parole.
Black American culture is reflected in the scorching soundtracks, some seriously funky clothes and the language of the street. Rarely does ten minutes pass when someone will expound ‘Right on!’, ‘Can you dig it?’, ‘Stay loose’ or the eponymous ‘Is it Black enough for you?’.
The term ‘Blaxploitation’, was created by a writer for Vogue magazine, a confused word implying exploitation of African-Americans. ‘Exploitation of black’, or ‘black exploitation films’? Black characters in these films are nearly always strong, the bad guys are usually white bad guys, and the resolution of the narrative in most of the films is nearly always morally correct (although sometimes complex) and as Gordon Parks noted at the time, ‘it is ridiculous to imply that blacks don’t know the difference between truth and fantasy and therefore will be influenced in an unhealthy way’.
In 1973 that the first black female lead roles were created. Pam Grier starred in ‘Coffy’ and the follow up ‘Foxy Brown’, and Tamara Dobson in ‘Cleopatra Jones’, all three films featuring incredibly strong female lead characters created specifically for these two black American actresses.
For the next few years, Black Action Film mutated across genres, weaving its way through black cinema versions of horror (‘Blacula’), martial arts (‘Black Belt Jones’), westerns (‘Soul of Nigger Charley’) and any permutation thereof.
‘Can You Dig It?’ presents the best of the killer musical soundtracks to these films alongside analysis of the social and political conditions that helped create the films. The booklet also comes with an in-depth guide to the films including many film stills. Also included is a set of mini- film poster cards and stickers. The vinyl edition also comes on two super-loud volumes of double vinyl and includes free poster!
To reserve a copy please contact us at info@conch.co.nz
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