One Hunned is the new EP from Montreal swag-kingpin Lunice.
Six new tracks showcasing this kids dynamic, spaced-out trap music. This release has equal influences of Neptunes and Araabmuzik’s futuristic Hip Hop glow as the innovations and mutations of UK underground dance music. Includes the heavyweights ?I See U' & ?Bricks' currently getting run on Kiss, Rinse FM and Radio One.
Since last years showstopping Stacker Upper EP sold out in a matter of weeks, 23 year old Lunice Fermin Pierre II has been on his A-game touring the world with his charismatic high energy live shows. But in the studio this guy has shown yet more prowess and scope than any of his beatmaking peers. Remixes and collaboration with the likes of Diplo, Young L, XV, Theophilus London, Wacka Flocka Flame, Gucci Mane and Deerhunter have given him a serious buzz. Watch what he does with it.
And so, LuckyMe are very proud to present 'One Hunned', the next phase in the Lunice takeover. This shit bangs hard for the club with upfront DJ support from Diplo, Sinden, Oneman, Girl Unit, Hudson Mohawke, Rustie, A Trak and many more.
A1. GlowA2. I See UA3. JuiceB1. BricksB2. GuardianB3. And She Said
Just received a fresh batch of wallets & purses in from Status Anxiety from Sydney. We also decided to try out some Womens wallets and purses , check them out below.
To inquire about the availability of styles contact us at info@conch.co.nz or pop in store.FLIP WALLETS: - $60
Status Anxiety flip wallets are made of soft calf leather, and are stitched on all seams. featuring 4 card slots (but for the crammers out there it can fit up to 12) and thicker elastic for secure long lasting
Available in Black, Chocolate, Tan, Orange, Green, Red, Blue, Grey & YellowPHOEBE PURSE: - $65
Available in Black, Tan, Sky Blue, Stone Grey, Purple & PinkAUDREY WALLET: - $95
Available in Black, Tan, Stone Grey & Sky BlueDAKOTA WALLET: - $85
Available in Tan, Green, Sky Blue, Black & Orange
Cultural phenomena streak through popular consciousness like meteorites. There’s a significant, even life-changing, impact made somewhere, but for many it’s only a moment that flickers by, soon to be swallowed back into the cosmos. Chicha might have been like that. Instead, a once-obscure music that enjoyed a fanatic embrace in the Peruvian slums of the 1970s has become a full-fledged global occasion – thanks to the stunning success of a 2007 CD called The Roots of Chicha.
The album, released by the Brooklyn-based Barbès Records, was a passionate act of cultural appreciation: a heartstrong effort to turn the world on its ear with something it had never expected to hear. It took listeners back to the late 1960’s, when a number of Peruvian guitarists from Lima and the Amazon created a new electric hybrid, which mixed cumbia, surf, Cuban guaracha, rock, Peruvian folklore, and psychedelic touches. This new wave of Peruvian cumbia came to be known as chicha. Scorned by the middle-class and the official tastemakers, chicha remained mostly associated with the slums of Lima, where the ever-growing population of Andean migrants embraced the music and its players as their own.
When Olivier Conan released the first volume of Roots of Chicha in September 2007, he couldn’t have foreseen the kind of impact it would have. The musician, who co-owns the club Barbès in Brooklyn and owns the label of the same name, had fallen in love with the music on a trip to Peru in the summer of 2006. Back in New York, he started his own band, Chicha Libre, as an attempt to share his enthusiasm. Then he released a compilation of some of the best chicha tracks from the ‘70s. The music quickly found an audience in the US and in Europe. Musicians and DJs embraced it as a lost link between rock and Latin cultures. Accolades flowed from the New York Times, NPR, Le Monde, El Comercio and the BBC. One of its songs was covered by the band Franz Ferdinand, actor Elijah Wood praised it profusely in an interview to Paste magazine. Chilean rock group Los Tres gave a copy of the record to then-president Bachelet, which somehow became national news. This very special double vinyl version contains the best tracks from
Olivier’s three releases, packaged in a beautiful Tip-On Gatefold jacket, and includes a 20 page full color booklet.
Tracklisting:
Side A
Sonido Amazonico (ALBERTO SANCHEZ) 2:35 Los Mirlos
Linda Nena (J. MARA) 3:45 Juaneco Y Su Combo
Cariñito (ÁNGEL ANÍBAL ROSADO) 4:05 Los Hijos del Sol
Patricia (ENRIQUE DELGADO) 3:14 Los Destellos
Sacalo Sacalo (MARINO VALENCIA GARAY) 3:04 Los Diablos Rojos
Silbando (JUAN BENIGNO) 3:07 Los Ribereños
Side B
El Diablo (D.R.) 2:46 Compay Quinto
Elsa (TOMAS REBATA ACEVEDO) 3:38 Los Destellos
Mala Mujer (RAUL LLERENA) 3:01 Ranil y su Conjunto Tropical
Agua (BERARDO HERNANDEZ) 3:02 Manzanita y su Conjunto
Para Elisa (BEETHOVEN, ENRIQUE DELGADO) 2:46 Los Destellos
Ya Se Ha Muerto Mi Abuelo 4:09 Juaneco y Su Combo
Side C
Colegiala (WALTER LEON) 3:32 Los Ilusionistas
El Guapo (MARINO VALENCIA GARAY) 3:23 Los Diablos Rojos
El Hueleguiso (BERARDO HERNANDEZ) 3:15 Manzanita y su Conjunto
Vacilando con Ayahuasca (NOÉ FACHÎN) 3:31 Juaneco Y su Combo
Linda Muñequita (ÁNGEL ANÍBAL ROSADO) 4:44 Los Hijos del Sol
Side D
Como Un Ave (VICTOR CASAHUAMAN) 2:49 Grupo Celeste
Constelación (ENRIQUE DELGADO) 3:19 Los Destellos
La Danza del Petrolero (EMERSON SANCHEZ) 2:48 Los Wembler’s de
Iquitos
A Trabajar (CASIMIRO MEDINA) 3:27 Chacalón y la Nueva Crema
El Aguajal (TEODOMIRO SALAZAR) 3:50 Los Shapis
La Danza de Los Mirlos (GILBERTO REATEGUI) 2:49 Los Mirlos
Due out this month on CD & LP, to pre-order please contact us at info@conch.co.nz
Soundway Records are proud to present the original soundtrack to Ola Balogun’s legendary movie ‘Black Goddess’ from 1978. The film was written and directed by Balogun (recognized as one of Nigeria’s most renowned directors) but shot and cast in Brazil.
The soundtrack, Soundway’s deepest venture into experimental afro-jazz, was composed and produced by one of Nigeria’s most successful and original musicians Remi Kabaka (who has played with Steve Winwood, Paul Simon, Paul McCartney and Ginger Baker amongst others).
The record was originally issued in both Nigeria and Brazil, but recorded in Lagos, using four of the Nigerian music scene’s most innovative players: Remi Kabaka himself, alongside Biddy Wright, saxophonist Dele Okonkwo and Mono Mono frontman Joni Haastrup.
The resulting soundtrack created by these prestigious musicians is a truly unique and experimental afro-jazz recording that has been out of print for many years, until now.
Comments
0 Comments