It’s been a year since the magnificent ‘Dark is the Sun’ first enchanted listeners back in 2011, and we’re thrilled to announce the next installment of mesmerizing non-contemporary jazz by the Greg Foat Group with their new album ‘Girl and Robot with Flowers’.
Evading the dreaded ‘second album syndrome’ with consummate ease, ‘Girl and Robot with Flowers’ is a sonic soundscape of epic proportions that leaves ‘Dark is the Sun’ in the dust while propelling the listener into infinity – and beyond!
With a doff of the hat to sci-fi writer Brian Aldiss, we’re whisked off on a thematic journey into the emotive and enthralling realms of cinematic jazz, seductive ambience and exciting, majestic drama. Often unpredictable and certainly never dull, British pianist/composer/arranger Greg Foat uses everything from brass bands and kettle drums to Moog synthesizer and harmonium to take us above and beyond the stratosphere of our senses. Have spacesuit? Let’s travel!
As with ‘Dark Is the Sun’, this album was recorded in a unique, pure analogue studio in Sweden to capture the full warmth and dynamic range of the wide variety of instruments utilized. The spacious, high quality sound that was achieved by recording direct to tape through high quality vintage equipment is absolutely impeccable, revealing in stunning detail a magical atmosphere the likes of which is rarely heard in the current climate of digitalization and MP3s.
Over the years Greg Foat has collaborated withmusicians and artists such as Wendy James, Questlove of The Roots, The Black Lips, Justice and The Bees. This past year has been a busy one with tours of Europe and the UK, exposing their music to seasoned audiences: Jamie Cullum, Chris Evans, Gilles Peterson, Craig Charles, Ozwald Boateng, Helena Christiansen, Jude Law, Benicio Del Toro, Lyndsey Lohan are just a few of the many faces who have enjoyed the music of the Greg Foat Group.