GIG: Peanut Butter Wolf - Sat 26th July

It’s not about giving the middle finger and saying, “Whatever.” It’s about real talk. As Cee Lo says in our cover story, “I despise the notion of ‘whatever.’ ” Mr. Green has something to say. He’s not the character he portrays on TV. And he’s not superficially enamored with an industry run by “atheists”—so he must find a balance of being a superstar in the spotlight and a human being in the shadows of introspection.
Up-and-coming rapper Action Bronson doesn’t front about his occupation, doesn’t try to sugarcoat his story. The former chef is just a regular guy with a knack for rhyme and storytelling. He doesn’t hesitate to tell us that he’s thankful and that music is something he takes very seriously.
While the music industry has always been filled with big personalities, it’s especially refreshing to hear from outspoken artists who, as big man Aaron Neville said, tell it like it is. In the 1970s, Ron Isley and his band of brothers weren’t afraid to put a fist in the air and scream, “Fight the power!”—while Brian Jackson and Gil Scott-Heron used their music and words to speak the truth in turbulent times. As two soul artists without a f**king filter, Millie Jackson and Swamp Dogg have made their living putting their uncut thoughts to tape. And Philly soul architect Thom Bell opens up about his weighty contributions to a genre and a business, and Detroit singer Freda Payne shares her personal feelings about her own twists of fate. Finally, Queens rapper Kool G Rap is never afraid to state that he influenced every great rapper of our generation. Don’t fear the truth.
Contents: Cee Lo Green Action Bronson Ron Isley Thom Bell Millie Jackson Kool G Rap Swamp Dogg Brian Jackson Freda Payne K-Maxx Chicano Batman KING Leyla McCalla
For over the past decade, The Jewel School Radio Show has curated an annual selection of homegrown music production and international collaborations to celebrate New Zealand Music Month.
This year we present another strong showcase from some of our favourite artists, as well as new blood and fresh talent.
First broadcast on Saturday 31 May 2014 on RadioActive.fm Mixed and matched by Dan Aikido for The Jewel School
Tracklist:
1. Christoph El Truento - What We Used To Know (OnGravity Records) 2. Adi Dick - Fly Into The Sky (Forthcoming) 3. Ladi 6 – Diamonds (Oddisee Remix) (Self Released) 4. Myele Manzanza – Montara (Unreleased) 5. Sandra St Victor (Prod. MdCL) - I Prefer (Shanachie) 6. Mark De Clive Lowe ft. Nia Andrews – Hollow (Ropeadope) 7. Choice Vaughn – Subtletease (Unreleased) 8. Team Dynamite – Shepherd’s Delight (YGB) 9. Electric Wire Hustle - Bottom Line (Flako Remix) (Okay Player/Somethinksounds) 10. Brockaflower – Meyer (Self Released) 11. Sorceress – Freeloadoubt (Wonderwheel Recordings) 12. Paddy Fred ft. LP – Laminate (Self Released) 13. Estere x Oddisee – Flash Light (Red Bull Prodigy Project) 14. @Peace – Gravity (Self Released) 15. Benny Tones ft. Raiza Biza – Maybe In The Stars There’s A Little Bit Of Us (Organik Muzik Workz) 16. Wayvee - Sentinel Beach (Samuel Truth Remix) (Darker Than Wax) 17. Race Banyon - Don't Need You (Self Released) 18. Kimbra - Settle Down (Kimbra Remix ft. Electric Wire Hustle) (Unreleased) 19. Julien Dyne ft. Dalziel - Tonight (Wonderful Noise Productions) 20. Matt Miller – Opposites (Unreleased) 21. Coco Solid - 2 Wise 2 Wed (Kutcorners Remix) (Coco Solid) 22. High Hoops – Heatwave (Self Released) 23. Gang of Rome - Sol Invictus (Heads Down Records) 24. Funkadelic - Sexy Ways (Recloose Disco Flip) (Westbound Forthcoming) 25. Lord Echo - Ghost Walk (Wonderful Noise Productions) 26. B Haru - Magneta Star (5 Finger Discount Records) 27. Sorceress - Treat The Feel (Wonderwheel Recordings) 28. Fat Freddy's Drop - Never Moving (Africanz On Marz Remix) (The Drop/Kartel) 29. Fras Left - My (Unreleased) 30. Chaos in the CBD – Slab (ClekClekBoom Recordings) 31. Atlantic Conveyer – Nasty Things (Leftside Wobble Edit) (Untracked) 32. Recloose – Backtrack (Delusions of Grandeur) 33. Unknown Mortal Orchestra – Swim and Sleep (Little Dragon Remix) 34. Lord Echo - Digital Haircut (Wonderful Noise Productions) 35. Orchestra of Spheres - Electric Company (Fire Records) 36. The Phoenix Foundation - Evolution Did (She’s So Rad Remix) (Self Released) 37. Anna Coddington - The Runner (Majik J’s ESG Edit) (Unreleased) 38. Starfish – Kingfish (Scratch22 Remix) (Unreleased) 39. Electric Wire Hustle - By & Bye (Okay Player/Somethinksounds Forthcoming)
Move on up: obscure Kiwi gems and grooves mixed by Peter Mac (BaseFM) by Peter Mclennan on Mixcloud
I've been thinking about putting together this mix for a while. It's a collection of rare Kiwi gems I've acquired from a bunch of different eras, drawing on 60s Maori showbands, 70s funk/soul, 80s electro, and 90s hiphop - all 100% Aotearoa styles.
Appearances by Billy TK, Dallas (Fat Freddys Drop), Betty-Anne Monga (Ardijah), Zane Lowe (Urban Disturbance) and more. Hope you enjoy it! Cover pic is guitar legend Mr Billy TK.13 songs, and 13 dub versions, produced by Lee Perry and UK Producer Daniel Boyle at the Rolling Lion Studio. Lee Perry is back on the controls, using the very same effects units and equipment from his Black Ark studio in Jamaica, to produce a selection of deep roots rythms and original Lee Perry dub versions.
Lee ‘Scratch’ Perry (born Rainford Hugh Perry, 20 March 1936, Kendal, Jamaica) is a musician and producer that has been influential in the development and acceptance of reggae and dub music across the globe. Lee’s timeless and classic recordings can be heard the world over, but his most striking and visionary productions came from the era when Lee ran the Black Ark studio. Built in 1973 and located on the grounds of his home in Washington Gardens, a suburb of Kingston Jamaica, the Black Ark became a Mecca for the Rasta community and some of reggae’s most important musicians. Here Lee produced many timeless classics that still impact reggae dances worldwide. Lee created his famous signature sound by the clever use of a few key pieces of studio equipment, namely the Roland Space Echo tape delay, the Grampian reverb, and the infamous Mu-tron Bi-Phase, alongside an analogue mixing desk, reel-to-reel tape machines and a heavy amount of ganja smoke and rum. This set-up allowed Lee to really push the boundaries of his productions, pushing his musicians and this equipment to their limits, steering him ever further into the smoky realm of dub. The result was truly pioneering, with the songs, rhythms, and dubplates all layered with his signature phasing and delay, backed by the power of the Upsetters rhythm section. Thus, the legacy of Lee ‘Scratch’ Perry, the Upsetter, was immortalised. Following the contentious closing of the Black Ark studio in 1979, and its eventual burning down in 1983, we fast-forward over three decades to the present day, where Lee has been working in London’s Rolling Lion Studio’ with UK producer Daniel Boyle on a brand new album project, 'Back On The Controls'. For the project, Daniel and Lee amassed original vintage pieces of equipment from Lee’s production heyday and a few vintage extras. filling the studio with Grampian and Fisher reverbs, a multitude of tape delays, the Mu-Tron Bi-Phase, reel-to-reel tape machines, old compressors, valve amplifiers, vintage filters, and a large analogue mixing desk. The plan was to create a fresh sound that referenced the Black Ark, something new but familiar, with raw, vintage ‘Scratch style’ recording techniques. Acoustic panelling was taken down from the studio walls, old mics were thrown up against battered guitar amps, limited eq was used, and all imperfections have been left in the recordings. This is rough round the edges, ‘Yard’-style music, but sticking to Lee’s original signal chain and ethereal production techniques, to record, saturate, distort, and ultimately dub a brand new Lee ‘Scratch’ Perry production.
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